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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Like most African American spirituals, Gospel Plow can be defined as a "musical poem, not attributable to any specific poet or composer" that describes some aspect of the "early Afro-American's view of life." [2] The allusion to the plow makes clear reference to the enslaved condition of African Americans working in the fields.
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"Down by the Riverside" (also known as "Ain't Gonna Study War No More" and "Gonna lay down my burden") is an African-American spiritual.Its roots date back to before the American Civil War, [1] though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. [2]
Hymns, Protestant gospel songs, and spirituals make up the basic source of modern Black gospel. The Library of Congress has recordings of Negro Spirituals; 1. Song - Go down Moses. 2. Song - Deep river. 3. Song - Golden slippers. 4. Song - Steal away. The Library of Congress has recordings of African Americans singing Black Gospel; 1. Song - Oh ...
John Wesley Work Jr. (1871–1925)—also known as John Work II—spent three decades at the historically black college in Nashville, Tennessee, Fisk University, collecting and promulgating the "jubilee songcraft" of the original Fisk Jubilee Singers—an African-American a cappella Fisk University student chorus (1871–1878), [8] known for introducing a wider audience to spirituals.
Published in 1867, it was the first, and most influential, [1] [2] collection of spirituals to be published. The collectors of the songs were Northern abolitionists William Francis Allen, Lucy McKim Garrison, and Charles Pickard Ware. [3]