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The video was filmed between Los Angeles, Miami and a remote fishing village in Icapuí, Brazil. [ 9 ] [ 69 ] On the video and its significance with the COVID-19 pandemic , Gomez said: "The video portrays the sense of isolation we all are experiencing right now and how music truly does connect us all no matter where we are in the world."
"Frágil" is a regional Mexican song by the American bands Yahritza y su Esencia and Grupo Frontera. It was written by Kevyn Cruz, Luis Ángel O'Neill Laureano, Yahritza Martínez and Edgar Barrera, who also produced it.
Salsa artist Celia Cruz recorded the song for her 1974 album, La Ceiba, [17] and it was also later included on The Very Best of Celia Cruz. [ 18 ] "Fina estampa" was also popularized in ranchera versions by Aida Cuevas and Lucha Villa .
Santiago was a master improviser that used "soneos" (rhyming verses common to Salsa music) with a strong sense of alliteration, consonance and rhythm that was described once by Rubén Blades this way: "(Rhythm-wise) Marvin is capable of fitting a Mack truck into a parking space where a Volkswagen Beetle won't fit."
Salsa music is a style of Caribbean music, ... “La salsa es, y siempre ha sido la musica Cubana.” “Salsa is, and always has been, Cuban music.”.
The music video for "Ella Lo Que Quiere Es Salsa" was released on June 5, 2012. It was directed by Steven Tapia and featured 50 dancers choreographed by Tito Ortos in Brooklyn, New York. One of the dancers, Amanda Vilanova also showed her salsa moves. Vilanova was second finalist in Miss World beauty pageant that was held in London, UK in 2011.
The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
In 1987 and 1989, he had hits with the salsa versions of the ballads Noche de Bodas (Wedding Night), and Quiereme Tal Como Soy (Love me the way I am). These were accomplished after he joined the "Puerto Rican Power" band. In 1990, Rojas went solo and recorded Sensual (1990), Condename (1992), and A Mi Estilo (At My Style) (1994).