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Mademoiselle Fifi is a 1944 American period film directed by Robert Wise for RKO, in his solo directorial debut. It was written by Josef Mischel and Peter Ruric based on two short stories by Guy de Maupassant , " Mademoiselle Fifi " and " Boule de Suif ".
This was the first American feature film shot in Vietnam and was considered by some to be an American propaganda film 1959: Chung một giòng sông (Together on the Same River) Nguyễn Hồng Nghị: Feature Film: The first feature film produced in the Democratic Republic of Vietnam (North Vietnam) after Vietnam was split into two countries ...
Pepe & Fifi (Romanian: Pepe și Fifi) is a 1994 Romanian drama film directed by Dan Pița. [1] The film was selected as the Romanian entry for the Best Foreign Language Film at the 67th Academy Awards , but was not accepted as a nominee.
Starting in 2003, ' The Most Beloved Vietnam Television Dramas' Voting Contest (Vietnamese: Cuộc thi bình chọn phim truyền hình Việt Nam được yêu thích nhất) is held annually or biennially by VTV Television Magazine to honor Vietnamese television dramas broadcast during the year(s) on two channels VTV1-VTV3.
Viet Film Fest 2014 showcased 29 films, including 8 features and 21 short films, from countries all over the world such as Vietnam, Australia, Canada, England, France, Germany, Japan, the United States, and (for the first time) Korea. The award recipients this year are:
Vietnam has submitted films for the Academy Award for Best International Feature Film since 1993. The award, previously named the Academy Award for Best Foreign Language Film, [a] is presented annually by the U.S. Academy of Motion Picture Arts and Sciences (AMPAS) to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue. [2]
On December 26, 2009, Chu was named a deputy chair of the National People's Congress Financial and Economic Affairs Committee. He served out one term before retiring from politics. [1] Chu was an alternate member of the 15th Central Committee of the Chinese Communist Party, and a full member of the 16th and 17th Central Committees.
The film was invested by Tran Thanh with a budget of 50 billion VND, 2 years of conceptualization and scriptwriting, and 1 year of production. [7]Initially, the role of Mai's father was assigned by Tran Thanh to People's Artist Viet Anh, however, he later decided to take on this antagonistic role.