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"Jimmy Crack Corn" or "Blue-Tail Fly" is an American song which first became popular during the rise of blackface minstrelsy in the 1840s through performances by the Virginia Minstrels. It regained currency as a folk song in the 1940s at the beginning of the American folk music revival and has since become a popular children's song.
"Jimmy Crack Corn" is the second and final single taken from the Shady Records compilation album Eminem Presents: The Re-Up. The song features vocals from Eminem and 50 Cent , and the single version features vocals from Cashis , who also featured on " You Don't Know ".
A fact from Jimmy Crack Corn appeared on Wikipedia's Main Page in the Did you know column on 14 September 2005. The text of the entry was as follows: Did you know... that "Blue Tail Fly" or "Jimmy Crack Corn" is a blackface minstrel song dating from the 1840s, and that on the surface, it is a black slave's lament over his master's death; the subtext is that he is glad his master is dead, and ...
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide ... Outback is a jazz album by Joe Farrell on the CTI Records label.
The song became a big hit in both Britain and America, reportedly selling some 2 million copies as sheet music, and was recorded by many bands from the 1920s onwards, most successfully by Vincent Lopez in 1926. [4] The pair moved their office to Denmark Street in 1926, and formally established the music publishing firm Campbell Connelly in 1929.
McHugh began his career in his hometown of Boston, Massachusetts, United States, [1] where he published about a dozen songs with local publishers. His first success was with the World War I song "Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this also came near the start of a decade-long collaboration with lyricist Jack Caddigan.
A sequel [32] was released on September 10, 2019, with the title Bob Honey Sings Jimmy Crack Corn, published by Rare Bird Books, [33] as it directly continues off the events of the first novel, seeing Bob Honey, hunted by the authorities, head to Washington, D.C. to directly confront the Landlord. [34]
He began to style himself Jimmy "Lover Man" Davis and entered a highly creative period, writing a number of songs and placing them with major French performers, such as Yves Montand ("J'ai de la veine"), Maurice Chevalier ("Trinque, trinque [À la tienne]"), and Joséphine Baker ("You're the Greatest Love"). His songwriting royalties were still ...