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Stuart Dunkel is an oboist and painter based in Massachusetts. [1] He has performed in a number of orchestras listed below. He has been painting since age five and playing music since age 7. He has written a book The Audition Process: Anxiety Management and Coping Strategies and released a CD of his music called Oboe Colors. [2]
An oboist (formerly hautboist) is a musician who plays the oboe or any oboe family instrument, including the oboe d'amore, cor anglais or English horn, bass oboe and piccolo oboe or oboe musette. The following is a list of notable past and present professional oboists, with indications when they were/are known better for other professions in ...
The pitch of the framed free reed is fixed. The ancient bullroarer is an unframed free reed made of a stone or wood board tied to a rope that is swung around through the air to make a whistling sound. Another primitive unframed free-reed instrument is the leaf (the bilu), used in some traditional Chinese music ensembles. A leaf or long blade of ...
Reed aerophones is one of the categories of musical instruments found in the Hornbostel-Sachs system of musical instrument classification. In order to produce sound with these Aerophones the player's breath is directed against a lamella or pair of lamellae which periodically interrupt the airflow and cause the air to be set in motion.
The oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in his cantata Wie wunderbar ist Gottes Güt (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the Et in Spiritum sanctum movement of his Mass in B minor—for the instrument.
In the Hornbostel-Sachs classification system, 'sets of free reeds' are designated as '412.132'. Subcategories This category has the following 2 subcategories, out of 2 total.
Zeitmaße [Time-measures], for flute, oboe, English horn, clarinet, and bassoon (1955–56) Adieu, für Wolfgang Sebastian Meyer (1966) Rotary Wind Quintet (1997) Sukarlan, Ananda, "Mozart Meandering through Java before Bumping into Beethoven in Boston" for piano & wind quintet, written for the winds of Boston Symphony Orchestra. He also wrote ...
Since only a short portion of the reed protrudes past the pirouette, the player has only limited contact with the reed, and therefore limited control of dynamics. The shawm's conical bore and flaring bell, combined with the style of playing dictated by the use of a pirouette, gives the instrument a piercing, trumpet-like sound, well-suited for ...