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Traditional embroidery of Korea has a long history and has expressed the aesthetic qualities of Korea according to the changes of the times. The embroidery has been cultivating beauty with delicate skill in everyday life through the stiffness of needle, sweat and stitches along with weaving and sewing, and also the national emotions have blossomed in.
Traditional Korean patterns are often featured throughout Korea on architecture, clothes, porcelain, necessities, and more. These patterns can be recognized either by one of the four time periods they originated from ( The Three Kingdoms , Unified Silla , Goryeo , Joseon ), or by their shape (character, nature, lettering, and/or geometry ).
There have been some specific efforts to repopularize Korean fabric arts. The Korean government established October 21 as Hanbok Day. [2] In 2022, Hanbok saenghwal, the cultural practices encompassing the making, wearing, and enjoying of hanbok, was recognized as a National Intangible Cultural Heritage by the Cultural Heritage Administration.
Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches (called cross stitches) in a tiled, raster-like pattern are used to form a picture. The stitcher counts the threads on a piece of evenweave fabric (such as linen ) in each direction so that the stitches are of uniform size and appearance.
Traditional Korean patchwork pojagi wrapping cloth. Patchwork or "pieced work" is a form of needlework that involves sewing together pieces of fabric into a larger design. The larger design is usually based on repeating patterns built up with different fabric shapes (which can be different colors).
Canvas work in cross stitch became popular again in the mid-19th century with the Berlin wool work craze. Herringbone, fishbone, Van Dyke, and related crossed stitches are used in crewel embroidery, especially to add texture to stems, leaves, and similar objects. Basic cross stitch is used to fill backgrounds in Assisi work. [3]