Search results
Results From The WOW.Com Content Network
Former Lives is the debut solo album by Death Cab for Cutie lead singer Ben Gibbard. It was released in October 2012 under Barsuk Records. Many of the album's tracks feature Gibbard playing all instruments by himself. Aaron Espinoza is credited as producer for all tracks except 1, 5, 10, 11, and 12.
Benjamin Gibbard (born August 11, 1976) [2] is an American singer, songwriter and guitarist. He is best known as the lead vocalist and guitarist of the indie rock band Death Cab for Cutie , with whom he has recorded ten studio albums, and as a member of the supergroup The Postal Service .
Ben Gibbard and Nick Harmer have both been quoted as saying that the album was "a much less guitar-centric album than we've ever made before". [29] The 1983 album Dazzle Ships , by English electronic band Orchestral Manoeuvres in the Dark (OMD), was a major influence on the record.
On the album, Gibbard returns to an evocative, revealing writing style he had avoided on prior albums, [6] and frequently refers to places versus people: "Culver City, Beverly Drive, "the cliffs of the Palisades" — each serves as a clearly defined setting on an album that looks beyond Gibbard's divorce to ponder the larger systems of power and privilege at work in L.A.," observed writer ...
Home, Vol. 5 is a split album released by Post-Parlo Records, the fifth volume in the Home series of short split albums featuring two artists. Vol. 5 features Benjamin Gibbard (Death Cab for Cutie, The Postal Service), and Andrew Kenny (The American Analog Set, The Wooden Birds), with the last song in each set being a cover of the other performer's respective band.
For premium support please call: 800-290-4726 more ways to reach us
Codes and Keys is the seventh studio album by Death Cab for Cutie, released on May 31, 2011.Ben Gibbard and Nick Harmer have both been quoted as saying that the album will be "a much less guitar-centric album than we've ever made before". [3]
Prior to creating the album, Gibbard felt increasingly exhausted with touring, and had a relationship fall apart because of being away for so long. These experiences comprised what Gibbard reflected on as the "lowest" year in his life, and influenced the songwriting on Transatlanticism profoundly. [11] He began to focus more on songwriting as a ...