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Among the unchecked syllables, tone 1 becomes 7, 7 becomes 3, 3 becomes 2, and 2 becomes 1. Tone 5 becomes 7 or 3, depending on dialect. Stopped syllables ending in -p , -t , or -k take the opposite tone (phonetically, a high tone becomes low, and a low tone becomes high) whereas syllables ending in a glottal stop (written as -h in Pe̍h-ōe ...
Therefore, rhythmic components in music therapy might explain why music therapy can benefit non-fluent aphasic patients. One example is the left-hand tapping used in Melodic Intonation Therapy (MIT). Since this technique also serves as a way to stimulate the right hemisphere, Schlaug et al. [ 7 ] speculate that left-hand tapping may favor ...
The three short syllables in reliquiās do not fit into dactylic hexameter because of the dactyl's limit of two short syllables so the first syllable is lengthened by adding another l. However, the pronunciation was often not written with double ll , and may have been the normal way of pronouncing a word starting in rel- rather than a poetic ...
A phonetic complement is a phonetic symbol used to disambiguate word characters (logograms) that have multiple readings, in mixed logographic-phonetic scripts such as Egyptian hieroglyphs, Akkadian cuneiform, Linear B, Japanese, and Mayan. Often they disambiguate an ideogram by spelling out the first or last syllable of the word; occasionally (as in Linear B) they may instead abbreviate an ...
Adding suffix -er to root in -cy, giving a two-syllable ending -cier; For example, fancier (adjective "more fancy", or noun "one who fancies") Words of Latin origin with a root ending in c(i) followed by a suffix or inflexion starting in (i)e; such as fac or fic "do; make" (efficient, stupefacient, etc.) soc "sharing; kin" (society)
In Japanese, non-nasal gemination (sokuon) is denoted by placing the "small" variant of the syllable Tsu (っ or ッ) between two syllables, where the end syllable must begin with a consonant. For nasal gemination, precede the syllable with the letter for mora N (ん or ン). The script of these symbols must match with the surrounding syllables.
In classical verse, the final syllable of a line always counted as long, so that if a dactyl ( – u u ) is made catalectic, it becomes a spondee ( – – ). Ancient poetry was often performed to music, and the question arises of what music accompanied a catalectic ending. A few ancient Greek poems survive with authentic musical notation.
In musical score engraving, the undertie symbol is called an "elision slur" or "lyric slur", [5] and is used to indicate synalepha: the elision of two or more spoken syllables into a single note; this is in contrast to the more common melisma, the extension of a single spoken syllable over multiple sung notes.