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Ravel completely reworked his idea of Wien into what became La valse, which was to have been written under commission from Serge Diaghilev as a ballet. However, he never produced the ballet. [6] After hearing a two-piano reduction performed by Ravel and Marcelle Meyer, Diaghilev said it was a "masterpiece" but rejected Ravel's work as "not a ...
L'heure espagnole is a French one-act opera from 1911, described as a comédie musicale, with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same name [1] [2] The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading ...
Ravel in 1925. Joseph Maurice Ravel [n 1] (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term.
Some of Ravel's works were not well received, others by Charles Koechlin, Maurice Delage or Ralph Vaughan Williams were refused. Ravel then left the Société nationale and became one of the founders of the independent society, whose aim was to support contemporary musical creation, freeing it from restrictions linked to the forms, genres and ...
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In the years 1904–05, as he was finishing his String Quartet, Ravel composed Miroirs (Mirrors), a suite of five short piano pieces. [13] He later orchestrated two of them: the orchestral version of "Une Barque sur l'océan" (A Barque on the Ocean) came out in 1906; [14] more than a decade elapsed before Ravel orchestrated the other, the "Alborado del gracioso".
Nichols (p. 198 of his 2011 book) does find an echo of the Libera me from Fauré's Requiem in the Musette in Le tombeau de Couperin (bars 33–40), but he does not class Ravel’s possible quotation of Fauré as "religious". There is also a "Religious dance" in Daphnis and Chloé, but I don’t think that counts as religious music in the usual ...
The duo Sergio Tempo - Karin Lechner, for example, recorded his version of Ravel's Daphnis et Chloé, suite No. 2 transcribed for two pianos in 2007. [4]Leon Fleisher recorded Garban's La valse piano transcription as a duet with his wife – pianist Katherine Jacobson – on the 2015 album Four Hands [5]