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A Edirol Studio Canvas SD-80 displaying a user saved patch. Studio Canvas was a series of PCM sound modules with built in audio interfaces (some models only) sold under both Edirol and Roland branding. The samples contained in the ROMs of these units do not in all cases mirror the original SC-7 / SC-55 GM/GS samples. GM2 is downward compatible ...
Edirol also had Desktop Media (DTM) products, more production-oriented, and included computer audio interfaces, mixers, and speakers. Following Roland's purchase of a controlling interest in Cakewalk Software , most of the division's products were rebranded as Cakewalk products or blended with the professional audio/RSS products to form Roland ...
In 2006, the VST interface specification was updated to version 2.4. Changes included the ability to process audio with 64-bit precision. [6] A free-software replacement was developed for LMMS that would be used later by other free-software projects. [7] [8] VST 3.0 came out in 2008. Changes included: [9] Audio Inputs for VST Instruments
Temperament, in music, the accommodation or adjustment of the imperfect sounds by transferring a part of their defects to the more perfect ones, in order to remedy, in some degree, the false intervals of those instruments, the sounds of which are fixed; as the organ, harpsichord, piano-forte, etc.
Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
Eldecalcitol is an analog of calcitriol, the active form of vitamin D. [1]Commonly used in Japan for the treatment of osteoporosis. [2] Osteoporosis is a common bone disease among the older generation, with an estimated prevalence of over 200 million people. [2]
The name "meantone temperament" derives from the fact that in all such temperaments the size of the whole tone, within the diatonic scale, is somewhere between the major and minor tones (9:8 and 10:9 respectively) of just intonation, which differ from each other by a syntonic comma.