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A shout (or praise break) is a kind of fast-paced Black gospel music accompanied by ecstatic dancing (and sometimes actual shouting). It is sometimes associated with "getting happy" . It is a form of worship/praise most often seen in the Black Church and in Pentecostal churches of any ethnic makeup, and can be celebratory, supplicatory ...
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A shout, ring shout, Hallelujah march or victory march is a Christian religious practice in which worshipers move in a circle while praying and clapping their hands, sometimes shuffling and stomping their feet as well. [1] Despite the name, shouting aloud is not an essential part of the ritual march, which varies by congregation and locality.
Shout to the Lord 2000 is a live praise and worship album of contemporary worship music by Hillsong. The album appeared on the Billboard 200 and reached No. 8 on the Top Contemporary Christian Albums Chart.
"Shout" is a popular song, written and originally recorded by American vocal group the Isley Brothers in 1959. Later versions include a UK Top 10 hit in 1964 by Scottish singer Lulu. "Shout" was inducted to the Grammy Hall of Fame in 1999. [3] Rolling Stone magazine ranked it at number 119 on its list of "The 500 Greatest Songs of All Time". [4]
William Daniel "Bill" Sprouse Jr. (aka Willy Sprouse Jr., 12 December 1948 – 5 September 1975) was a Christian evangelist, singer and songwriter, and the musical force behind two groups (both called The Road Home) in the early 1970s.
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.