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Conjunto Primavera is a Mexican norteño-sax band from Ojinaga, Chihuahua. In the 1990s and 2000s they were one of the most popular acts in regional Mexican music. History
Morir de Amor (Eng.: Dying of Love) is a studio album by Mexican norteño-sax band Conjunto Primavera released in 2000. This album received a nomination for a Latin Grammy Award for Best Grupero Performance, [1] which was awarded to En La Madrugada se Fue by Los Temerarios, and became their first number-one album in the Billboard Top Latin Albums chart.
It should only contain pages that are Conjunto Primavera albums or lists of Conjunto Primavera albums, as well as subcategories containing those things (themselves set categories). Topics about Conjunto Primavera albums in general should be placed in relevant topic categories .
Ansia de Amar (Eng.: Longing to Love') is the title of a studio album by Mexican norteño-sax band Conjunto Primavera released on April 3, 2001. This album became their second number-one hit on the Billboard Top Latin Albums chart. Finally, this is the first album without re-recordings since Amigo mesero of 1994, because the next albums until ...
Dejando Huella (Eng.: Leaving a Mark) is the title of a compilation album by Mexican norteño-sax band Conjunto Primavera. This album became their third number-one set on the Billboard Top Latin Albums.
"Hoy Como Ayer" ("Today Like Yesterday") is a song performed by Mexican norteño-sax band Conjunto Primavera.Released in 2005 as the first single from the album of the same name, the song became their first number-one single in the Billboard Top Latin Songs chart, as well as peaking number-one on the Billboard Regional Mexican Airplay.
[18] [19] Conjunto Primavera delivered a performance of the song during 2008 in Chihuahua, Mexico, which was later released on their live album En Vivo (2010). [20] Mexican-American singer Jenni Rivera's rendition of"¡Basta Ya!" was recorded for her 12th and final studio albums Joyas Prestadas: Pop and Joyas Prestadas: Banda (2011). [21]
Conjunto de Arsenio Rodríguez c. 1949. Cuban conjunto music was developed in the 1940s by famous tres player Arsenio Rodríguez by adding several instruments (a piano, a tumbadora and various trumpets) to the typical son cubano ensemble, the septeto. Septetos consisted of a lead vocalist and guitar(s), double bass, bongó, maracas and trumpet.