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Musically, "Lover, You Should've Come Over" is a folk-pop [1] and soul ballad. [2] The song has a length of 6:43, [3] and is composed in 6 8 time and the key of D major.It moves at a tempo of 120 beats per minute, and Buckley's vocal range spans more than two octaves, from B 3 to D 6. [4]
Grace was produced by Andy Wallace and recorded in Bearsville Studios in Woodstock, New York. [5] Buckley experimented extensively with arrangements and recording techniques. He found the process of recording contrary to his improvisational performance style, and said later: "It's not like a live show where you play it and it just disappears into the air like smok
Live in Chicago is a live DVD by Jeff Buckley, recorded on May 13, 1995 at Cabaret Metro during the Mystery White Boy tour. Soul Coughing co-headlined the show, and only audio of their set was recorded. [1]
"You Don't Treat Me No Good" is a song by American soul group Sonia Dada. Released in 1992 as the group's debut single outside the United States, the song reached number two in New Zealand and became an unexpected number-one hit in Australia, spending four weeks atop the ARIA Singles Chart and ending 1993 as the nation's third-best-selling hit.
"Yard of Blonde Girls" is a song written by sisters Audrey Clark of the Boston band the 360s and Lori Kramer of the Paper Squares, who were performing together in the late nineties as Pendulum Floors.
"Lover" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart. It was sung in the movie Love Me Tonight (1932) by Jeanette MacDonald. [1]Popular recordings in 1933 were by Paul Whiteman [1] and His Orchestra (vocal by Jack Fulton), Guy Lombardo and His Royal Canadians, and Greta Keller.
Wednesday is the third extended play by American singer-songwriter Madison Cunningham.It was released on November 6, 2020, through Verve Forecast Records. [1] Recorded and released during the COVID-19 pandemic, Wednesday consists of four covers of songs by Tom Waits, John Mayer, the Beatles, and Radiohead. [2]
The song is set in the key of D ♭ major with a main chord pattern of B ♭ m7–G ♭ sus2–D ♭ /F-D ♭ sus-D ♭ –A ♭. [2]Co-writer Josh Osborne said that when writing the song, he and the co-writers were composing melodies when co-writer Sam Hunt suggested to make it a "kind of desperate thing, like the guy is pleading with this girl to come over."