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Purgatorio, Canto VIII, 1–6 (Longfellow) Don Juan, Canto 3, CVIII, 1–6 'twas now the hour that turneth back desire In those who sail the sea, and melts the heart, The day they've said to their sweet friends farewell, And the new pilgrim penetrates with love, If he doth hear from far away a bell That seemeth to deplore the dying day,
Le Goff dedicates the final chapter of his book to the Purgatorio, the second canticle of the Divine Comedy, a poem by fourteenth-century Italian author Dante Alighieri. In an interview Le Goff declared: "Dante's Purgatorio represents the sublime conclusion of the slow development of Purgatory that took place in the course of the Middle Ages ...
The legend of St Patrick's Purgatory (Tractatus de Purgatorio Sancti Patricii) written in that century by Hugh of Saltry, also known as Henry of Sawtry, was "part of a huge, repetitive contemporary genre of literature of which the most familiar today is Dante's"; [45] another is the Visio Tnugdali.
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
Tractatus de Purgatorio Sancti Patricii is a twelfth-century account in Latin of a pilgrimage to St Patrick's Purgatory. [27] Marie de France translated it into French and expanded it into the Legend of the Purgatory of St. Patrick. A verse drama about the shrine was composed by Spanish national poet Pedro Calderon de la Barca.
While scholars have thus far not provided a history of the Anima Sola (or Ánimas del purgatorio in Spanish), [citation needed] the practice of praying for the souls in purgatory extends at least as far back as the Council of Trent in which the following was determined:
Virgil and Dante meet Belacqua, Holkham manuscript at the Bodleian. Belacqua is a minor character in Dante Alighieri's Purgatorio, Canto IV.He is considered the epitome of indolence and laziness, but he is nonetheless saved from the punishment of Hell in Inferno and often viewed as a comic element in the poem for his wit.
The area is referred to as Purgatorio by local people. The Túcume mounds The site was a major regional center, maybe even the capital of the successive occupations of the area by the Lambayeque / Sican (800-1350 AD), Chimú (1350–1450 AD) and Inca (1450–1532 AD).