Search results
Results From The WOW.Com Content Network
Iatrochemistry (from Ancient Greek ἰατρός (iatrós) 'physician, medicine'; also known as chemiatria or chemical medicine) is an archaic pre-scientific school of thought that was supplanted by modern chemistry and medicine. Having its roots in alchemy, iatrochemistry sought to provide chemical solutions to diseases and medical ailments. [1]
Samuel Hartlib was a patron and promoter of applied science, including alchemy and iatrochemistry. Yet, there were individuals within this circle dedicated to preserving secrecy and the protection of knowledge, which may have initially inspired Starkey's alternate identity.
Roger Bacon – staunch proponent of the use of alchemy. Paracelsus – developer of iatrochemistry. Robert Boyle – alchemist critical of Paracelsus, credited as the father of modern chemistry. Mary Anne Atwood – key figure in the occult revival of alchemy. Carl Jung – merged alchemy and psychoanalytic thought.
Glauber's salt – sodium sulfate.Na 2 SO 4; Sal alembroth – salt composed of chlorides of ammonium and mercury.; Sal ammoniac – ammonium chloride.; Sal petrae (Med. Latin: "stone salt")/salt of petra/saltpetre/nitrate of potash – potassium nitrate, KNO 3, typically mined from covered dungheaps.
Paracelsus develops the study of iatrochemistry, a subdiscipline of alchemy dedicated to extending life, thus being the roots of the modern pharmaceutical industry. It is also claimed that he is the first to use the word "chemistry". [8] 1597 Andreas Libavius publishes Alchemia, a prototype chemistry textbook. [26]
The English Paracelsians: A Study of Iatrochemistry in England to 1640. Harvard University. Debus, Allan George (2002) [1991]. The French Paracelsians: The Chemical Challenge to Medical and Scientific Tradition in Early Modern France. Cambridge University Press. ISBN 978-0521894449. Kahn, Didier (2007).
Suspicions about the Hidden Realities of the Air is a book on alchemy by 17th-century philosopher Robert Boyle. It was written in 1674 concerning ideas about the agency of the air in chemical reactions. Air at this time was considered homogeneous, empty and inactive.
The Mirror of Alchimy appeared at a time when there was an explosion of interest in Bacon, magic and alchemy in England. The evidence of this is seen in popular plays of the time such as Marlowe's Dr. Faustus (c. 1588), Greene's Friar Bacon and Friar Bungay (1589), and Jonson's The Alchemist (1610). [ 7 ]