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In alchemy, the Magnum Opus or Great Work is a term for the process of working with the prima materia to create the philosopher's stone. It has been used to describe personal and spiritual transmutation in the Hermetic tradition , attached to laboratory processes and chemical color changes, used as a model for the individuation process, and as ...
Whereas European alchemy eventually centered on the transmutation of base metals into noble metals, Chinese alchemy had a more obvious connection to medicine. [64] The philosopher's stone of European alchemists can be compared to the Grand Elixir of Immortality sought by Chinese alchemists.
The term transmutation dates back to alchemy.Alchemists pursued the philosopher's stone, capable of chrysopoeia – the transformation of base metals into gold. [3] While alchemists often understood chrysopoeia as a metaphor for a mystical or religious process, some practitioners adopted a literal interpretation and tried to make gold through physical experimentation.
Alchemical symbols were used to denote chemical elements and compounds, as well as alchemical apparatus and processes, until the 18th century. Although notation was partly standardized, style and symbol varied between alchemists.
For many centuries, it was the most sought-after goal in alchemy. The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, divine illumination, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus ("Great Work"). [3]
Dimensional transmutation, a physical mechanism providing a linkage between a dimensionless parameter and a dimensionful parameter; Nuclear transmutation, the conversion of a chemical element or isotope into another chemical element or isotope
The three phases of the magnum opus: nigredo, albedo and rubedo. (from Pretiosissimum Donum Dei, published by Georges Aurach in 1475). Rubedo is a Latin word meaning "redness" that was adopted by alchemists to define the fourth and final major stage in their magnum opus. [1]
Depiction of Sedziwój performing a transmutation for Sigismund III by Jan Matejko, 1867. Projection was the ultimate goal of Western alchemy.Once the philosopher's stone or powder of projection had been created, the process of projection would be used to transmute a lesser substance into a higher form; often lead into gold.