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Piqué work was a type of decorative work made by inlaying tiny points or pins of gold or other precious metals in patterns or pictures on tortoiseshell from the now endangered Hawksbill sea turtle (Eretmochelys imbricata) or, less commonly, ivory. The craft reached its height in 17th and 18th century France, and was highly prized. [1]
Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
Safety-pins are fairly uncommon in the seventh century. Made in silver or copper alloy, these simple clothing fasteners resemble modern day safety-pins. A single piece of wire is coiled at the top of the brooch and forms the spring to the pin. [31] Beginning in the eighth century, this form of brooch evolved into the strip brooch. [12] [13]
String art or pin and thread art, is characterized by an arrangement of colored thread strung between points to form geometric patterns or representational designs such as a ship's sails, sometimes with other artist material comprising the remainder of the work.
The tape versions are adhered directly to the painted surface in the pattern desired, whilst painted ones are done by skilled artists with 'sword' shaped brushes. The goal of pin striping is to enhance the curves of the surface, and the lines are generally of a complementary color. In any other form of decorative pin stripes, the goal is the same.
Cords may be held in place using a C-clamp, straight pins, T-pins, U-pins, or upholstery pins. [4] For larger decorative pieces, such as wall hangings or window coverings, a work of macramé might be started out on a wooden or metal dowel, allowing for a spread of dozens of cords that are easy to manipulate. For smaller projects, push-pin ...
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