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On June 14, 2013, the Pixies announced that Deal had left the band. Two weeks later, the band released a new song, "Bagboy", as a free download via the Pixies' website. The song features Jeremy Dubs of Bunnies and formerly of the Bennies on vocals in place of Deal. [92] As of 2023, Deal and her former bandmates have no relationship. [93]
The Night the Zombies Came is the ninth studio album by American alternative rock band Pixies, released on October 25, 2024 () by BMG Rights Management. It was produced by Tom Dalgety and preceded by the single "You're So Impatient".
The album also marks the first time Santiago has received songwriting credits on a Pixies album, [8] having contributed music to "Dregs of the Wine" and lyrics to "Pagan Man". [9] [10] Described by Black Francis as "an unfinished bit of music that the producer kept insisting that we try again," "Pagan Man" was the last song recorded for the ...
INTERVIEW: The Pixies bass player and Breeders frontwoman is an icon of the 1980s and 1990s alt-rock scene. As she releases her first solo album at the age of 63 she talks to Annabel Nugent about ...
Pixies agreed to a United States distribution deal with Elektra Records before releasing their third album, Doolittle. Doolittle was the most successful album for Pixies, earning them a gold certification from the Recording Industry Association of America in 1995 (along with Surfer Rosa in 2005).
This is a comprehensive list of songs by the Pixies, an American alternative rock band. This list includes album tracks, B-sides, demos, live recordings and remixes of songs written by one or more of the band's members or songs covered by the band; it does not include songs that members of the Pixies wrote, recorded or performed with Frank Black and the Catholics, The Breeders, The Martinis ...
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The album name comes from the title of the first track, "Trompe le Monde", a French phrase (pronounced [tʁɔ̃p lə mɔ̃d]) meaning "Fool the World". [3]Unlike previous albums, the title of the album comes from the name of a song (rather than a song lyric), and is a play on the French phrase "Trompe-l'œil", a painting technique in which the painter fools the viewer into thinking objects ...