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The Horror of Party Beach is a 1964 American horror film in the beach party genre, directed and co-produced by Del Tenney.The film is described as "a take-off on beach parties and musicals", with film critics characterizing it as one of the worst films of all time.
Moore also had a role in the 1964 film The Horror of Party Beach. Mark Burger of Yes! Weekly wrote, "In one of the story's most dated aspects, Eulabelle Moore (who died shortly after the film's release) plays Laurel's housekeeper "Eulabelle," whose comic rants about voodoo make for a cringing stereotype – although, to be fair, it's Eulabelle ...
It's Party Time - A Musical Appreciation of the Beach Party Film Genre. Riverside, California, USA: PTB Productions. ISBN 0-9601880-2-9. Betrock, Alan (1986). The I Was a Teenage Juvenile Delinquent Rock 'n' Roll Horror Beach Party Movie Book – A Complete Guide to the Teen Exploitation Film: 1954–1969. New York: St. Martin's Press.
Psycho Beach Party is a 2000 comedy horror film based on the off-Broadway play of the same name, [2] directed by Robert Lee King. Charles Busch wrote both the original play and the screenplay. [2] As the title suggests, Psycho Beach Party, set in 1962 Malibu Beach, [3] is a parody of 1950s psychodramas, 1960s beach movies, and 1980s slasher ...
The Horror of Party Beach: Del Tenney: Augustin Mayer, Eulabelle Moore, John Scott: United States [20] Hush...Hush, Sweet Charlotte: Robert Aldrich: Bette Davis, Olivia de Havilland, Joseph Cotten, Agnes Moorehead, Cecil Kellaway, Mary Astor: United States [21] I Eat Your Skin: Del Tenney: Heather Hewitt, William Joyce: United States [22]
One year after the success of Fox's The O.C., MTV took a look at the actual town, launching Laguna Beach: The Real Orange County in 2004. The reality show focused on the personal lives of then ...
This makes his 11th win across the Horror, Mystery & Thriller, Fantasy, and Science Fiction categories. Read more about it on Goodreads, where it has a 4.26-star rating among more than 50,000 reviews.
On the film's release in New York and Los Angeles, it shared a double feature bill with The Horror of Party Beach. [2] In the May 4, and May 11, 1964, issues of Daily Variety estimated that the films earned $37,000 in the first two weeks at the New York City's Paramount Theatre. [2]