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A sub-genre of noir fiction has been named "rural noir" in the US, [15] [16] and sometimes "outback noir" in Australia. [17] [18] Many rural noir novels have been adapted for film and TV series in both countries, such as Ozark, No Country for Old Men, [15] and Big Sky in the US, [19] and Troppo, The Dry, Scrublands, [17] and High Country (2024) in Australia.
Science fiction, noir, and anime are brought together in the Japanese films of 90s Ghost in the Shell (1995) and Ghost in the Shell 2: Innocence (2004), both directed by Mamoru Oshii. [164] The Animatrix (2003), based on and set within the world of The Matrix film trilogy, contains an anime short film in classic noir style titled "A Detective ...
There are differing views on the origins but most commentators agree that the genre had become well established as a literary genre by the 1990s; Swedish writer Henning Mankell, who has sometimes been referred to as "the father of Nordic noir", [6] notes that the Martin Beck series of novels by Maj Sjöwall and Per Wahlöö "broke with the previous trends in crime fiction" and pioneered a new ...
Pulp noir is a subgenre influenced by various "noir" genres, as well as (as implied by its name) pulp fiction genres; particularly the hard-boiled genres which help give rise to film noir. [1] Pulp noir is marked by its use of classic noir techniques, but with urban influences. Various media include film, illustrations, photographs and videogames.
The Boys clears up Black Noir's odd 'friendship' with Homelander with origin reveal.
TechNoir, the nightclub in The Terminator, invokes associations with both film noir and sci-fi.. Tech noir (also known as cyber noir, future noir and science fiction noir) is a hybrid genre of fiction, particularly film, combining film noir and science fiction, epitomized by Ridley Scott's Blade Runner (1982) [1] and James Cameron's The Terminator (1984). [2]
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
From its earliest days, hardboiled fiction was published in and closely associated with so-called pulp magazines.Pulp historian Robert Sampson argues that Gordon Young's "Don Everhard" stories (which appeared in Adventure magazine from 1917 onwards), about an "extremely tough, unsentimental, and lethal" gun-toting urban gambler, anticipated the hardboiled detective stories. [7]