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The music of Eritrea, is a diverse mix of traditional and popular styles originating from ancient to modern times.The nine major ethnic groups of Eritrea—Afar, Bilen, Hedareb, Kunama, Nara, Rashaida, Saho, Tigre and Tigrinya—celebrate autonomous music-making expressed through a rich heritage of vocalists, instrumentalists and activities within the country and throughout the international ...
He left Ethiopia in 1998 when the Eritrean–Ethiopian War broke out, and moved to Asmara in Eritrea. Since moving to Asmara, Mengisteab has continued to compose and perform music. He has toured and released about one new cassette each year. His music shop, "B. M. Music House," is currently located in Babylon Square, Asmara. [1]
An Eritrean krar and masinqo is a common instruments in Eritrea. Eritrea has nine ethnic groups, each of which have their own different styles of music and accompanying dances. A common instrument used by many of the communities is the drum. Amongst the Tigray-Tigrinya, the best known traditional musical genre is called guaila.
Orthodox Tewahedo music refers to sacred music of the Ethiopian and Eritrean Orthodox Tewahedo Church. The music was long associated with Zema (chant), developed by the six century composer Yared . It is essential part of liturgical service in the Church and classified into fourteen anaphoras, with the normal use being the Twelve Apostles .
The lyrics of the anthem were written by poet Solomon Tsehaye Beraki. [2] [3] Originally written in 1986, Solomon updated them in 1993 after Eritrea's independence.[4] [5] The music was composed in 1985–1986 by organist Isaac Abraham Meharezghi (also spelt Isaq [4]), who was a member of the Eritrean People's Liberation Front cultural troupe.
A kebero (Amharic and Tigrinya: ከበሮ) is a double-headed, conical hand drum used in the traditional music of Eritrea, Sudan and Ethiopia.A piece of animal hide is stretched over each end of the instrument, thus forming a membranophone.
The masenqo (Amharic: ማሲንቆ; Tigrinya: ጭራ-ዋጣ (ዋጣ), also known as masinko or mesenko, [1] is a single-stringed bowed lute commonly found in the musical traditions of Eritrea and Ethiopia. [2] As with the krar, this instrument is used by Ethiopian minstrels called azmaris ("singer" in Amharic) . [3]
Krar (Geʽez: ክራር) is a five-or-six stringed bowl-shaped lyre from Ethiopia and Eritrea. It is tuned to a pentatonic scale. A modern Krar may be amplified, much in the same way as an electric guitar or violin. The Krar, along with Masenqo and the Washint, is one of the most widespread musical instruments in Northern Ethiopia and Eritrea. [1]
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