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Gardner's Art through the Ages is an American textbook on the history of art, with the 2004 edition by Fred S. Kleiner and Christin J. Mamiya.The 2001 edition was awarded both a McGuffey award for longevity and the "Texty" Award for current editions by the Text and Academic Authors Association.
From the frustration of not being able to find a comprehensive textbook that had a broad enough coverage in art history, she resolved the problem by writing such a book herself, which resulted in a popular art history textbook used for decades, Art Through the Ages. [3] Her major work, Art Through the Ages (1926), was the first single-volume ...
The painting is the example of pahari painting used in Gardner's Art Through the Ages, which states: [3] In Krishna and Radha in a Pavilion, the lovers sit on a bed beneath a jeweled pavilion in a lush garden of ripe mangoes and flowering shrubs. Krishna gazes directly into Radha's face. Radha shyly averts her gaze.
The painting has been dated through comparison with similar grisaille panels with Old Testament subjects which Mantegna produced around 1495 and 1500.. The work was perhaps included in the Gonzaga collection acquired by Charles I of England in 1628.
Gardner's Art Through the Ages identifies Michael Pacher, a painter and sculptor, as the first German artist whose work begins to show Italian Renaissance influences. According to that source, Pacher's painting, St. Wolfgang Forces the Devil to Hold His Prayerbook (c. 1481), is Late Gothic in style, but also shows the influence of the Italian ...
Art and Illusion; Art by Women in Florence; Art Deco Architecture: Design, Decoration and Detail from the Twenties and Thirties; Art Deco of the 20s and 30s; Art in the San Francisco Bay Area (book) Art: A History of Painting, Sculpture, and Architecture; Artists in biographies by Filippo Baldinucci; Arts of Mankind; The Automatic Message
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Art historian Mary Garrard believes that Judith Slaying Holofernes portrays Judith as a "socially liberated woman who punishes masculine wrongdoing". [13] Although the painting depicts a scene from the Bible, art historians have suggested that Gentileschi drew herself as Judith and her mentor Agostino Tassi , who was tried for and convicted of ...