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Spasskoye-Lutovinovo, Turgenev's estate near Oryol. Ivan Sergeyevich Turgenev was born in Oryol (modern-day Oryol Oblast, Russia) to noble Russian parents Sergei Nikolaevich Turgenev (1793–1834), a colonel in the Russian cavalry who took part in the Patriotic War of 1812, and Varvara Petrovna Turgeneva (née Lutovinova; 1787–1850).
A Month in the Country (Russian: Месяц в деревне, romanized: Mesiats v derevne) is a play in five acts by Ivan Turgenev, his only well-known work for the theatre. [1] Originally titled The Student, it was written in France between 1848 and 1850 and first published in 1855 as Two Women.
A Sportsman's Sketches (Russian: Записки охотника, romanized: Zapiski ohotnika; also known as A Sportman's Notebook, The Hunting Sketches and Sketches from a Hunter's Album) is an 1852 cycle of short stories by Ivan Turgenev. It was the first major writing that gained him recognition.
Fathers and Sons (Russian: «Отцы и дети»; Otcy i deti, IPA: [ɐˈtsɨ i ˈdʲetʲi]; pre-1918 spelling Отцы и дѣти), literally Fathers and Children, is an 1862 novel by Ivan Turgenev, published in Moscow by Grachev & Co on 23 February 1862. [1] It is one of the most acclaimed Russian novels of the 19th century.
[10] The Russian writer Ivan Turgenev wrote in 1861, "The drawing shows me at one glance what might be spread over ten pages in a book." [11] The quote is sometimes attributed to Napoleon Bonaparte, who said "A good sketch is better than a long speech" (French: Un bon croquis vaut mieux qu'un long discours). This is sometimes translated today ...
Rudin (Russian: «Рудин», pronounced) is the first novel by Russian realist writer Ivan Turgenev.Turgenev started to work on it in 1855, and it was first published in the literary magazine "Sovremennik" in 1856; several changes were made by Turgenev in subsequent editions.
The setting is a vast Russian country estate where the resident aristocrats and their many servants are jolted out of their tranquility by the arrival of someone from the city, down-on-his-luck Vassily Semyonitch Kuzovkin, whose own property has been tied up for years in a hopeless lawsuit.
One of the major concerns for Turgenev at the time of publication was his anticipated reception from the public on the one hand and the censor on the other; he expected, for instance, that his depiction of Populism and its adherents (seen as good people inherently, but unfortunately undertaking a path that Turgenev saw as not conducive to success) would gain a critical reception as hostile in ...