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To address the issue of delayed textbook distribution, Balbharati has made soft copies of its textbooks available on its official website, allowing students to easily download the books. These e-books cover all subjects from the 1st to the 12th grade and can be accessed for free from the Balbharati website .
There are three genders in Marathi: masculine, feminine, and neuter. Some other modern Indo-European languages have lost these genders, completely, as in English and Persian, or in part, with either neuter and common gender (merging masculine and feminine), as in some Northern Germanic languages, or feminine and masculine (absorbing neuter), as in almost all Romance languages.
Bakhar is a form of historical narrative written in Marathi prose. Bakhars are one of the earliest genres of medieval Marathi literature. [1] More than 200 bakhars were written in the seventeenth to nineteenth centuries, the most important of them chronicling the deeds of the Maratha ruler Shivaji.
Modi (Marathi: मोडी, Mōḍī, Marathi pronunciation:) [3] is a script used to write the Marathi language, which is the primary language spoken in the state of Maharashtra, India. There are multiple theories concerning its origin. [4]
The Marathi Vishwakosh (lit. ' Marathi Encyclopedia ') is an online free encyclopedia in Marathi language, funded by the Government of Maharashtra, India. [1] [2]The project to create the encyclopedia started as a print project and was inaugurated in 1960, and Lakshman Shastri Joshi was named the first president of the project.
Marathi Vangmayacha (Galeev) Itihas (मराठी वाङ्मयाचा (गाळीव) इतिहास) – 1970 [2] Khogirbharati (खोगीरभरती) - 1950 [citation needed] Hasavnuk (हसवणूक) - 1968 [citation needed] Batatyachi Chaal (बटाट्याची चाळ)
Kosala (English: Cocoon), sometimes spelled Kosla, is a Marathi novel by Indian writer Bhalchandra Nemade, published in 1963.Regarded as Nemade's magnum opus, and accepted as a modern classic of Marathi literature, the novel uses the autobiographical form to narrate the journey of a young man, Pandurang Sangvikar, and his friends through his college years.
In that sense, his work is a reversal of direction fostered by the modernist short story in Marathi. [4] GA's earlier short stories depicted the tragic and cruel aspects of the human situation. His later works were almost Kafkaesque , without Kafka -like black humour.