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"Mr. Loverman" is a song by Jamaican dancehall artist Shabba Ranks, released in 1992 and 1993 as a single by Epic Records. [1] It reached number 40 on the US Billboard Hot 100 and number three on the UK Singles Chart , as well as becoming a top-20 hit in France, Germany and Ireland.
He began to style himself Jimmy "Lover Man" Davis and entered a highly creative period, writing a number of songs and placing them with major French performers, such as Yves Montand ("J'ai de la veine"), Maurice Chevalier ("Trinque, trinque [À la tienne]"), and Joséphine Baker ("You're the Greatest Love"). His songwriting royalties were still ...
Print/export Download as PDF; Printable version; In other projects ... Mr Loverman is a British TV series starring Lennie James based on the novel of the same name by ...
"Loverman" is the second single from the album Let Love In by Australian rock band Nick Cave and the Bad Seeds. The song was also performed by American heavy metal band Metallica on their 1998 cover album Garage Inc. and Depeche Mode 's Martin Gore on his 2003 solo album Counterfeit² .
Origins for the album date back to March 1999, as some sites report that an album, titled the Ultimate Shaggy Collection, was released on March 23, 1999.The album included material from Shaggy's first four studio albums, as well as the original version of "Luv Me, Luv Me", which featured Janet Jackson, and three new songs—"The Reggae Virus", featuring Mad Lion and KRS One, "True Dat" and ...
Lover Man", or "Lover Man (Oh, Where Can You Be?)", is a 1941 song made popular by Billie Holiday. Lover Man may also refer to: Lover Man (Duke Jordan album) , 1979
It is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame in 1989. [1] Holiday's version reached No. 5 on the R&B chart and No. 16 on pop in 1945. [2] In July 1946, Charlie Parker recorded a rendition of "Lover Man" while he was intoxicated.
Ramirez wrote "Lover Man (Oh, Where Can You Be?)" in 1942, [2] which became a jazz standard following Billie Holiday's recording of it two years later. [1] He was a freelance into the mid-1950s, when he added electronic organ to his instruments. [1] In 1953 he was in one of Duke Ellington's small groups, as a substitute. [3]