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The appearance of blood was seen as a miracle to affirm the Roman Catholic doctrine of transubstantiation, which states that the bread and wine become the Body and Blood of Christ at the moment of consecration during the Mass. Today the Corporal of Bolsena is preserved in a rich reliquary at Orvieto in the cathedral.
The corporal is an altar linen used in Christianity for the celebration of the Eucharist.Originally called corporax, from Latin corpus ("body"), it is a small square of white linen cloth; modern corporals are usually somewhat smaller than the width of the altar on which they are used, so that they can be placed flat on top of it when unfolded.
The Eucharist (/ ˈ juː k ər ɪ s t / YOO-kər-ist; from Koinē Greek: εὐχαριστία, romanized: evcharistía, lit. ' thanksgiving '), also called Holy Communion, the Blessed Sacrament or the Lord's Supper, is a Christian rite, considered a sacrament in most churches and an ordinance in others.
The Feast of Corpus Christi (Ecclesiastical Latin: Dies Sanctissimi Corporis et Sanguinis Domini Iesu Christi, lit. 'Day of the Most Holy Body and Blood of Jesus Christ the Lord'), also known as the Solemnity of the Most Holy Body and Blood of Christ, [2] is a liturgical solemnity celebrating the real presence of Christ in the Eucharist; the feast is observed by the Latin Church, in addition ...
Eucharist (Koinē Greek: εὐχαριστία, romanized: eucharistía, lit. 'thanksgiving') [1] is the name that Catholic Christians give to the sacrament by which, according to their belief, the body and blood of Christ are present in the bread and wine consecrated during the Catholic eucharistic liturgy, generally known as the Mass. [2]
For before the apostles received the Eucharist from the hands of our Lord, He told them that it was His Body that He was giving them. [33] The Council then declared Eucharistic adoration as a form of latria: The only-begotten Son of God is to be adored in the Holy Sacrament of the Eucharist with the worship of "latria", including external worship.
The use of gold can be noted throughout the painting, its holy appeal is used as a halo around Jesus, on the robes and crown of the pope, and on the chalice upon the altar. [5] It is believed that this leaves reference to the divine connection between God and the papacy, as well as to the divine transformation that takes place in the chalice ...
Elevation of the Host, with vision of St John of Matha, painting by Juan Carreño de Miranda, 1666. In Eastern and Western Christian liturgical practice, the elevation is a ritual raising of the consecrated Sacred Body and Blood of Christ during the celebration of the Eucharist.