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An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations.Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws ...
Print/export Download as PDF; ... 10 A 3 (Jerome, Letters) Smaragdus of Saint-Mihiel. The Hague, ... Illuminated Manuscripts: The Book before Gutenberg. New York ...
Download as PDF; Printable version; In other projects ... Pages in category "14th-century illuminated manuscripts" ... Book of Wonders;
Miniature of Sinon and the Trojan Horse, from the Vergilius Romanus, a manuscript of Virgil's Aeneid, early 5th century. A miniature (from the Latin verb miniare 'to colour with minium', a red lead [1]) is a small illustration used to decorate an ancient or medieval illuminated manuscript; the simple illustrations of the early codices having been miniated or delineated with that pigment.
The surviving leaves measure at 32.5 × 29.1 cm (12 13/16 × 11 7/16 in.) [4] In full, the manuscript contained over 380 scenes. [4] It was the work of at least six different artists. [ 1 ] The book consists of paintings of events from Hebrew scripture but are given a setting in the customs and costumes of thirteenth-century France ...
Download as PDF; Printable version; In other projects ... Pages in category "16th-century illuminated manuscripts" ... Munich-Montserrat Book of Hours;
An illuminated manuscript is a book, usually religious in nature, that has been intricately decorated with paints, inks, and metal leaf such as gold and silver. This can include full page illustrations, intricate initials at the beginning of paragraphs and chapters, and embellishment to particularly important areas of text.
The Spinola Hours is a illuminated manuscript book of hours of about 1510-1520, consisting of 312 folios, over 80 of which are mainly decorated with miniature paintings. It was produced between Bruges and Ghent in Flanders around 1510-1520, and is a key work of the Ghent–Bruges school of illuminators.