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Guanyin took off and dashed to the edge of a cliff and jumped off, with the pirates still in pursuit. Shancai, in his desperation to save Guanyin, jumped off after her. Shancai and Guanyin managed to reascend the cliff, and at this point, Guanyin asked Shancai to look down. Shancai saw his mortal remains at the foot of the cliff.
In pain, Red Boy then pleaded for Guanyin to release him. In return, Guanyin told him to accept her rules of conduct. He agreed. She then shaved Red Boy's head into a Mount Tai tonsure. She then named him 'Shancai' (善財, 'lit. "Great Wealth"; or Shancai Tongzi ( 善財童子, lit. "Great Wealth Dragon Boy")) and asked if he would accept.
Shancai fell down the cliff but was halted in midair by Guanyin, who now asked him to walk. Shancai found that he could walk normally and that he was no longer crippled. When he looked into a pool of water he also discovered that he now had a very handsome face. From that day forth, Guanyin taught Shancai the entire dharma.
In East Asian Buddhism, the Six Guanyin (Chinese 六觀音 (traditional) / 六观音 (), pinyin: Liù Guānyīn; Korean: 육관음, Yuk Gwaneum; Japanese: 六観音, Roku Kannon, Rokkannon; Vietnamese: Lục Quán Âm) is a grouping of six manifestations of the bodhisattva Avalokiteśvara, known as Guanyin (Guanshiyin) in Chinese and Kannon (Kanzeon) in Japanese.
An example of this variation is the colossal Guanyin statue located in Tsz Shan Monastery in Hong Kong. Cintāmaṇicakra may also be abstractly represented via his attributes or symbols ( samaya ; Ch. 三昧耶形, sānmèiyé xíng ; Jp.
Her presence in Guanyin's iconography was influenced by tantric sutras celebrating the esoteric Amoghapāśa and Thousand-armed forms of Guanyin, which mention Longnü offering Guanyin a priceless pearl in gratitude for the latter visiting the Dragon King's palace at the bottom of the ocean to teach the inhabitants her salvific dharani.
The dhāraṇī is especially revered in China, where the thousand-armed (Sahasra-bhuja) Avalokiteśvara (or Guanyin) is the most popular among the bodhisattva's forms. It is most often called the 'Great Compassion Mantra' (大悲咒 Dàbēi zhòu ) in popular parlance, an epithet also (mistakenly) applied to a different, much shorter ...
Qiu Zhu (Chinese: 仇珠; Wade–Giles: Ch'iu Chu; fl. 1565–1585), commonly known as Miss Qiu and by her art name Duling Neishi (Chinese: 杜陵内史), was a Chinese painter during the Ming dynasty, noted for paintings with figures (rather than landscapes), including several depictions of the goddess Guanyin.