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Rosenthal studio-line, design-oriented crockery and art objects made of porcelain and glass; Rosenthal classic, classic-design porcelain; Rosenthal meets Versace, luxury porcelain in collaboration with Versace (since 1992) Thomas (owned by Rosenthal since 1908), design-oriented mass use porcelain
In collaboration with outstanding artists and designers from around the world, Philip Rosenthal succeeded in the late 1950s and 1960s to make the Rosenthal studio line a recognized model for modern design. From the porcelain factory of his father became a company for contemporary table and living culture.
Sarpaneva's work in industrial design received its highest recognition with his porcelain (china) full-line dinner service Suomi ("Finland"), on which he worked for four years [29] (some sources say three or two). Commissioned by the German company Rosenthal, which first considered the concept too simple, it was launched in its "studio-line" in ...
Wiinblad was an important designer for the Rosenthal porcelain company. His most popular Rosenthal dinnerware design, Romance (Romanze), was a typical Wiinblad design in terms of its incredible level of fine decorative detail. Starting in 1971, he also designed an annual commemorative Christmas plate for Rosenthal.
Christophe de la Fontaine was born in 1976 in Luxembourg, where he graduated from the Lycée des Arts et Métiers as a sculptor. He continued his studies at the industrial design department of the State Academy of Fine Arts Stuttgart under the supervision of Richard Sapper. [1]
In 1916, Rosenthal introduced the eight- and twelve-sided dodecagon porcelain dinnerware set "Maria," which Rosenthal named after his second wife, Maria Franck, who was the daughter of the royal lawyer Josef Frank. She had divorced Frank in 1916 in order to be able to marry Rosenthal, who was much older.