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Dresden Venus (c. 1510–11), traditionally attributed to Giorgione but for which Titian completed at least the landscape.. The Venus of Urbino (also known as Reclining Venus) [1] is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.
Venus and Adonis - many different versions, with varying contributions by Titian himself. See one in the Prado above, and in Rome below. c. 1555: 106 × 133 cm: Metropolitan Museum of Art (New York) Filippo Archinto, Archbishop of Milan: c. 1555: 118 × 94 cm: Metropolitan Museum of Art (New York) Venus and the Lute Player: c. 1555–1565: 150 ...
Titian. London: The National Gallery Company/Yale. ISBN 1-857099036. (the painting was listed as #10 in this exhibition, but did not in fact appear) Freedberg, Sydney J. Painting in Italy, 1500–1600, 3rd edn. 1993, Yale, ISBN 0300055870; Puttfarken, Thomas (2005). Titian & Tragic Painting: Aristotle's Poetics and the Rise of the Modern Artist ...
After Giorgione's death in 1510, Titian completed his Dresden Venus, which began the tradition, and around 1534 painted the Venus of Urbino. [12] Kenneth Clark sees the Danaë as Titian adopting the conventions for the nude prevailing outside Venice; "in the rest of Italy bodies of an entirely different shape had long been fashionable".
Titian's Venus of Urbino, c. 1534, Uffizi, largely the same pose in reverse Venus and Cupid with Dog and Partridge, mostly Titian's workshop, c. 1555, Uffizi. The painting is the final development of Titian's compositions with a reclining female nude in the Venetian style.
The portrait of Venus of Urbino has acquired its name from the Duchy of Urbino through Guidobaldo's title as the Duke of Urbino.. Guidobaldo II della Rovere (2 April 1514 – 28 September 1574) was an Italian condottiero, who succeeded his father Francesco Maria I della Rovere as Duke of Urbino from 1538 until his death in 1574.
The height of the Naples Danaë is the same as that recorded for the lost Farnese Venus and Adonis. [38] The pose of Venus had precedents in a well-known classical relief called il letto di Polyclito (the Bed of Polyclitus), where the female is Psyche (though in the 16th century thought to be Venus with Vulcan). She sits on a bed containing her ...
Portrait of Francesco Maria della Rovere is an oil on canvas painting by Titian, from 1536-1538. It depicts Francesco Maria I della Rovere, Duke of Urbino. It is held now in the Uffizi, in Florence. Signed TITIANVS F.[ECIT], it forms a pair with the same artist's Portrait of Eleonora Gonzaga della Rovere, Francesco's wife, also in the Uffizi. [1]