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Dresden Venus (c. 1510–11), traditionally attributed to Giorgione but for which Titian completed at least the landscape.. The Venus of Urbino (also known as Reclining Venus) [1] is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.
Venus and Adonis - many different versions, with varying contributions by Titian himself. See one in the Prado above, and in Rome below. c. 1555: 106 × 133 cm: Metropolitan Museum of Art (New York) Filippo Archinto, Archbishop of Milan: c. 1555: 118 × 94 cm: Metropolitan Museum of Art (New York) Venus and the Lute Player: c. 1555–1565: 150 ...
Sacred and Profane Love (Italian: Amor Sacro e Amor Profano) is an oil painting by Titian, probably painted in 1514, early in his career. The painting is presumed to have been commissioned by Niccolò Aurelio, a secretary to the Venetian Council of Ten , whose coat of arms appears on the sarcophagus or fountain, to celebrate his marriage to a ...
Venus and Musician refers to a series of paintings by the Venetian Renaissance painter Titian and his workshop. Titian's workshop produced many versions of Venus and Musician , which may be known by various other titles specifying the elements, such as Venus with an Organist , Venus with a Lute-player , and so on. [ 1 ]
Titian's Venus of Urbino, 1538. Uffizi, Florence, Titian's famous earlier reclining nude. After the original in Naples, where Cupid is to her right, he is replaced by an elderly maid, holding out a cloth or dish to catch the gold coins spilling down from an explosion of colour in the sky which represents Zeus. [16]
The Worship of Venus is an oil on canvas painting by the Italian artist Titian completed between 1518 and 1519, housed at the Museo del Prado in Madrid, Spain. [1] It describes a Roman rite of worship conducted in honour of the goddess Venus each 1 April. On this occasion, women would make offerings to representations of the goddess so as to ...
Bohde says, "Titian’s painting ultimately deals with the transformation of the immaterial into the material, which is the core of the incarnation theme". [1] The figures itself explains the main theme of incarnation of God within the Virgin. This theme comes thought with the dove in the back that pours out amounts of light from the clouds.
Jupiter and Antiope, detail of Titian's Pardo Venus. According to the usual account, the painting was unfinished at the time of Giorgione's death. The landscape and sky were later finished by Titian, who in 1534 painted the similar Venus of Urbino, and several other reclining female nudes, such as his much repeated Venus and Musician and Danaë compositions, both from the 1540s onwards.