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The French entertainer Félicien Trewey was interested in the art of Chinese shadow puppetry called Ombres Chinoises (known in china as the pi ying xi(皮影戏)), which means "Chinese shadows". He popularized the art of hand shadows when he developed shadows of famous silhouettes. It then became popular in Europe in the 19th century.
Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing.
The puppets are painted in vegetable dyes, as these dyes last long. Some puppets can be as tall as four feet. The puppets are controlled using two sticks; the puppeteer holds the puppet in one hand while its limbs are manipulated using a thinner stick held in the puppeteer's other hand. [1] [6]
A hand puppet (or glove puppet) is a puppet controlled by one hand, which occupies the interior of the puppet. The Punch and Judy puppets are familiar examples of hand puppets. Larger varieties of hand puppets place the puppeteer's hand in just the puppet's head, controlling the mouth and head, and the puppet's body then hangs over the entire arm.
The performance consists of the puppets, the narrator, the actor, and the musician. The actor and the audience are separated by a white screen during the show. [6] Animal shadow puppets in the nang talung tradition. Nang talung has been extremely popular for a long time. On the other hand, the art form is slowly disappearing because it is ...
Most puppets are made from a single skin, though some require more. At least four skins are necessary for Ravana – one for his body, one for his legs, and one to make each set of five arms. The puppets are made from 'nonviolent leather', that is the skin of animals that died a natural death is used rather than slaughtering animals for their skin.
A nang drama player and puppet. Nang yai (Thai: หนังใหญ่, pronounced [nǎŋ jàj]) is a form of shadow play found in Thailand. Puppets are made of painted buffalo hide, while the story is narrated by songs, chants and music. [1] Nang means "leather" ("leather puppet" in this case), and in common usage refers to a dance-drama ...
Wayang kulit is a unique form of theatre employing light and shadow. The puppets are crafted from buffalo hide and mounted on bamboo sticks. When held up behind a piece of white cloth, with an electric bulb or an oil lamp as the light source, shadows are cast on the screen.