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You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Cantatorium de Saint-Gall]]; see its history for attribution.
The notation is done via simple text input. It follows the gabc-syntax, which is defined by the Gregorio Project for this purpose. The gregorio command line tool converts this gabc-file to a GregorioTeX file, which has to be included in a common TeX file. Such a file is necessary for a graphical output, e.g., in the PDF-format.
In 1975, after moving to Belgium and changing the name to Land, they recorded an English-language version of "Šošana" entitled "Shoshana", which became an international hit and made the song's melody a popular football chant.
On hearing "an old priest deliver a sermon on the light and the filiation", [2] Messiaen began ruminating on the transfiguration story in the 1940s. By the time he began to write the music, he had not composed vocal music for seventeen years, since his solo choral work Cinq rechants.
The Glagolitic Mass (Czech: Glagolská mše, Church Slavonic: Mša glagolskaja; also called Missa Glagolitica or Slavonic Mass) is a composition for soloists (soprano, contralto, tenor, bass), double chorus, organ and orchestra by Leoš Janáček.
The chant is always present in one or more voices. [2] The music has been described as "rich in subtle harmonies, well-written for voices, and reminiscent of impressionism ". [ 4 ] A reviewer notes: "Here Duruflé shows his particular genius for invoking the spiritual element of plainsong in a polyphonic context, achieving a suppleness of ...
The idea for L'enfance went back to 1850 when Berlioz composed an organ piece for his friend Joseph-Louis Duc, called L'adieu des bergers (The Shepherds' Farewell).He soon turned it into a choral movement for the shepherds saying goodbye to the baby Jesus as he leaves Bethlehem for Egypt.
The tune, Zahn No. 983, was written ten years later by Johann Crüger and first appeared in Crüger's Neues vollkömmliches Gesangbuch Augsburgischer Confession. [1] [3]The tune has been used many times, including settings by J.S. Bach: one of the Neumeister Chorales for organ, BWV 1093, [4] two movements of the St John Passion, and three of the St Matthew Passion.