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"The Nutcracker" at the New York City Ballet is a holiday classic that draws thousands to Lincoln Center each year.. The company has been performing George Balanchine's ballet every year since ...
In December 2017, Martins took a leave of absence from the New York City Ballet following an allegation of sexual misconduct made against him. [43] [44] [45] Five dancers of the New York City Ballet later told the New York Times that Martins had verbally or physically abused them; Martins denied engaging in any misconduct.
Watts retired from the stage in a gala performance at Lincoln Center in 1995. She married fellow New York City Ballet Principal Damian Woetzel in 1999. In addition to her dancing career, Watts was director of the New York State Summer School of the Arts in Saratoga Springs from 1982 to 1994, where she administered a ballet school for gifted ...
Susan Coxe Hendl (September 18, 1947 – October 12, 2020) [1] was an American ballet dancer and répétiteur.She danced with the New York City Ballet between 1963 and 1983, then staged and coached works by George Balanchine and Jerome Robbins for both NYCB and other companies.
Villella became a member of the New York City Ballet in 1957, rising to soloist in 1958 and principal dancer in 1960, last dancing there in 1979. [4]: 179 Among his most noteworthy [5] performances were Oberon in George Balanchine's ballet A Midsummer Night's Dream (with music by Felix Mendelssohn), Tarantella, Rubies in the Balanchine ballet Jewels, and Prodigal Son.
Albert Pierce Evans (December 29, 1968 – June 22, 2015) [1] was an American ballet dancer and choreographer. He joined the New York City Ballet in 1988, became a principal dancer in 1995, making him the second African American dancer to hold this position, and had pursue choreography.
Stafford became an apprentice at New York City Ballet in October 1998, and joined the corps de ballet in February 1999. He became a soloist in 2006, and taught in the School of American Ballet as a guest faculty. The following year, he was promoted to principal dancer, and joined SAB's permanent faculty.
Both of his parents were ballet dancers. His father Paul Mejia, who is Peruvian, was a dancer at the New York City Ballet (NYCB) during the 1960s. [2] Mejia began dancing at age three at the Metropolitan Classical Ballet, where his father was a co-artistic director.