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Some scholars believe that Antoine Meillet had earlier said that a language is a dialect with an army, but there is no contemporary documentation of this. [10]Jean Laponce noted in 2004 that the phrase had been attributed in "la petite histoire" (essentially anecdote) to Hubert Lyautey (1854–1934) at a meeting of the Académie Française; Laponce referred to the adage as "la loi de Lyautey ...
The World in a Phrase: A Brief History of the Aphorism. New York: Bloomsbury. ISBN 9781608197620. Gopnik, Adam, "Brevity, Soul, Wit: The art of the aphorism" (includes discussion of Andrew Hui, A Theory of the Aphorism: From Confucius to Twitter, Princeton, 2019), The New Yorker, 22 July 2019, pp. 67–69.
A saying is any concise expression that is especially memorable because of its meaning or style. A saying often shows a wisdom or cultural standard, having different meanings than just the words themselves. [1] Sayings are categorized as follows: Aphorism: a general, observational truth; "a pithy expression of wisdom or truth". [2]
Aphorisms in popular culture: In To Kill a Mockingbird : You never really understand a person until you consider things from his point of view…until you climb into his skin and walk around in it.”
A proverb (from Latin: proverbium) or an adage is a simple, traditional saying that expresses a perceived truth based on common sense or experience. Proverbs are often metaphorical and are an example of formulaic language .
Murphy's law [a] is an adage or epigram that is typically stated as: "Anything that can go wrong will go wrong.".. Though similar statements and concepts have been made over the course of history, the law itself was coined by, and named after, American aerospace engineer Edward A. Murphy Jr.; its exact origins are debated, but it is generally agreed it originated from Murphy and his team ...
Due to the often multiple practical uses of folk art artifacts from the United States, many pieces of art go anonymous and unconnected to any specific artists. [7] Although there are many prominent and well known American folk artists, there are many more who are lacking in biographical details or cannot have anonymous creations attributed to them, posing a challenge to the study of folk art.
Kirkus Reviews gave a starred review and described it as an "eminently readable handbook on American art.", writing "His readings of three centuries of both art works and trends are lively, detailed, and persuasive (though perhaps a bit too harsh regarding recent art), and his ultimately pessimistic take is expressed with great clarity. A meaty ...