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The black line creates a barrier or "resist," keeping the glazes inside the lines and, when the tile is fired, the black lines also form an attractive outline of the pattern. The exact composition of the black line ingredients is somewhat of an industry secret, in general, yet also variable among the current, practicing artisans.
A labyrinth can be generated by tiles in the form of a white square with a black diagonal. As with the quarter-circle tiles, each such tile has two orientations. [3] The connectivity of the resulting labyrinth can be analyzed mathematically using percolation theory as bond percolation at the critical point of a diagonally-oriented grid.
17th century Delft blue and white tile with sea monster. Delftware wall tiles, typically with a painted design covering only one (rather small) blue and white tile, were ubiquitous in Holland and widely exported over Northern Europe from the 16th century on, replacing many local industries. Several 18th century royal palaces had porcelain rooms ...
The tiles used in the Independent Subway System (IND) are very simple and austere, and usually are only of four colors: white, black, and the station-specific band and border colors of the tile. Instead of using the serif and sans-serif fonts of the IRT and BMT, the IND used a blocky geometric font, an altered version of the previous sans-serif ...
Printed Tile Art. Tile art is a small arrangement of tiles, or in some cases a single tile, with a painted pattern or image on top. Tile art includes other forms of tile-based art, such as mosaics, micromosaics, and stained glass. [1] Unlike mosaics, tile art can include larger pieces of tiles that are pre-decorated.
This technique produces blue lines on a white background. The drawings are also called blue-lines or bluelines. [12] [13] Other comparable dye-based prints were known as blacklines. Diazo prints remained in use until they were replaced by xerographic print processes. Xerography is standard copy machine technology using toner on copy paper.