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Shamele Mackie [2] (born March 5, 1978), known professionally as Papoose (/ p æ ˈ p uː s /), is an American rapper. Known for his freestyles and prolific mixtape output, Papoose began his career in 1998 and has released four studio albums and 29 mixtapes. Born in New York, Mackie made his recording debut on Kool G Rap's 1998 album Roots of Evil.
UK rapper Kano made a freestyle to this song on his MC No.1 mixtape. Lil' Kim also made a freestyle called "I Get It" for her mixtape Ms. G.O.A.T. which she takes a few jabs at Bronx rapper Remy Ma. A freestyle or lost verse by Eminem leaked onto the internet in February 2011. [21] Rapper Papoose made his own remix called I Get Gully on the I ...
You Can't Stop Destiny is the second studio album by American rapper Papoose. It was released on July 17, 2015 through Honorable Records with distribution via INgrooves . [ 1 ] Production was handled by DJ Tip, G.U.N. Productions, Ron Browz , Antwan "Amadeus" Thompson, DJ Premier , Gemcrates, Havoc and Showbiz .
Grown Man Hip Hop "Year Of The Lyricist" [35] 2013 DJ Kay Slay, Loaded Lux, Cormega: Grown Man Hip Hop Part 2 (Sleepin' With The Enemy) "Cant Be Who You Are" [35] DJ Kay Slay, Sauce Money, Jon Connor "Get Paid" [36] Blink Money, French Montana, Chinx Drugz — "Brooklyn's the Borough" [37] Tony Touch, Uncle Murda: The Piece Maker 3: Return of ...
Papoose said with "6 a.m." he was trying to capture the feeling of the cops knocking at your door at six in the morning. All three rappers verses in the song, Papoose's, Jim Jones' and Jadakiss', detail what was going on the day and night before the event, with each verse ending when the cops are knocking. [18] "Law Library 8" is the latest in ...
Remy and Papoose, who starred together on the VH1 reality series Love & Hip Hop: New York, said “I do” over the phone while Remy was incarcerated in 2008, and made their union official in 2016 ...
In late 2009, DJ Kay Slay produced "Self Destruction 2010" featuring Busta Rhymes, Bun B, Sheek Louch, Papoose, Uncle Murda and Jay Rock. [10] In 2014, more than a dozen Baltimore rappers united under the name Stop the Violence Baltimore and recorded their own version of the song with new lyrics pertinent to violence in their city at the time. [11]
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