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The provenance of the term is ultimately Chinese, zuihitsu being the Sino-Japanese reading of 随筆 (Mandarin: suíbǐ), the native reading of which is fude ni shitagau ("follow the brush"). [ 1 ] [ dubious – discuss ] Thus works of the genre should be considered not as traditionally planned literary pieces but rather as casual or randomly ...
There are many synonyms in Japanese because the Japanese language draws from several different languages for loanwords, notably Chinese and English, as well as its own native words. [1] In Japanese, synonyms are called dōgigo (kanji: 同義語) or ruigigo (kanji: 類義語). [2] Full synonymy, however, is rare.
Classical court literature, which had been the focal point of Japanese literature up until this point, gradually disappeared. [ 13 ] [ 11 ] New genres such as renga , or linked verse, and Noh theater developed among the common people, [ 14 ] and setsuwa such as the Nihon Ryoiki were created by Buddhist priests for preaching.
The Man'yōshū is widely regarded as being a particularly unique Japanese work, though its poems and passages did not differ starkly from its contemporaneous (for Yakamochi's time) scholarly standard of Chinese literature and poetics; many entries of the Man'yōshū have a continental tone, earlier poems having Confucian or Taoist themes and ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Gesaku is an alternative style, genre, or school of Japanese literature.In the simplest contemporary sense, any literary work of a playful, mocking, joking, silly or frivolous nature may be called gesaku.
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
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