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The Ebony Concerto is scored for solo clarinet in B ♭ and a jazz band consisting of two alto saxophones in E ♭, two tenor saxophones in B ♭, baritone saxophone in E ♭, three clarinets in B ♭ (doubled by first and second alto and first tenor saxophone players), bass clarinet in B ♭ (doubled by second tenor saxophone), horn in F, five trumpets in B ♭, three trombones, piano, harp ...
Anderson's first work was the 1938 "Jazz Pizzicato", but at just over ninety seconds, the piece was too short for a three-minute 78 rpm single of the period. [5] Fiedler suggested writing a companion piece, and Anderson wrote '"Jazz Legato" later that same year. The combined recording went on to become one of Anderson's signature compositions. [6]
Previn in 2012. André Previn has composed film scores (including many songs), jazz pieces and contemporary classical music. His earliest compositions known at least by name/type are student works from the mid-1940s (a clarinet sonata, a string quartet, a rhapsody for violin and orchestra and some art songs).
In addition to being an arranger, Grofé was a composer in his own right. While still with Whiteman, in 1926, he wrote Mississippi Suite, which Whiteman recorded in a shortened format in 1927. He wrote a number of other pieces, including a theme for the 1939 New York World's Fair and suites for Niagara Falls and the Hudson River.
His jazz-funk arrangement of the Beatles' "Get Back" was used as the longtime theme for the 1970s sports quiz show Sports Challenge, emceed by Dick Enberg. For clarinetist Eddie Daniels, Williams wrote A Concerto in Swing; for saxophonist Tom Scott, he penned Romances for Jazz Soloist and Orchestra.
The introduction used in the song is from Concierto de Aranjuez, a guitar concerto by the Spanish composer Joaquín Rodrigo. The Light as a Feather version of "Spain" received two Grammy nominations, for Best Instrumental Arrangement and for Best Instrumental Jazz Performance by a Group .
"Graffiti Play", concerto for Tenor Saxophone, contemporary Jazz Trio (ts, bs, drs) & chamber orchestra (2014)—Esa Pietilä; Concerto for tenor saxophone and small orchestra (2015)—Kalevi Aho; Bright Karynge for Tenor Saxophone and Orchestra (2022)– Joseph Tkach
Included in this group were: Aaron Copland (Concerto for Piano, 1926), Maurice Ravel (Concerto for the Left Hand, 1929), Igor Stravinsky (Ebony Concerto for clarinet and jazz band, 1945) and George Gershwin (Concerto in F, 1925). [32] Still others called upon the orchestra itself to function as the primary virtuosic force within the concerto form.