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Anderson's first work was the 1938 "Jazz Pizzicato", but at just over ninety seconds, the piece was too short for a three-minute 78 rpm single of the period. [5] Fiedler suggested writing a companion piece, and Anderson wrote '"Jazz Legato" later that same year. The combined recording went on to become one of Anderson's signature compositions. [6]
The Ebony Concerto is scored for solo clarinet in B ♭ and a jazz band consisting of two alto saxophones in E ♭, two tenor saxophones in B ♭, baritone saxophone in E ♭, three clarinets in B ♭ (doubled by first and second alto and first tenor saxophone players), bass clarinet in B ♭ (doubled by second tenor saxophone), horn in F, five trumpets in B ♭, three trombones, piano, harp ...
The Concierto de Aranjuez ([konˈθjeɾ.to ðe a.ɾaŋˈxweθ], "Aranjuez Concerto") is a concerto for classical guitar by the Spanish composer Joaquín Rodrigo. Written in 1939, it is by far Rodrigo's best-known work, and its success established his reputation as one of the most significant Spanish composers of the 20th century.
Jazz Nocturne Concerto in Three Rhythms Symphonic Waltzes Concerto for two pianos Jazz Concerto: Michael Tippett: 1970–72 Symphony No. 3: Mark-Anthony Turnage: 1993–96 1996–2001 Blood on the Floor, for jazz quartet and large ensemble Scorched, for jazz trio and orchestra William Walton: 1922 1925 Façade Portsmouth Point (overture) Kurt ...
The introduction used in the song is from Concierto de Aranjuez, a guitar concerto by the Spanish composer Joaquín Rodrigo. The Light as a Feather version of "Spain" received two Grammy nominations, for Best Instrumental Arrangement and for Best Instrumental Jazz Performance by a Group .
Included in this group were: Aaron Copland (Concerto for Piano, 1926), Maurice Ravel (Concerto for the Left Hand, 1929), Igor Stravinsky (Ebony Concerto for clarinet and jazz band, 1945) and George Gershwin (Concerto in F, 1925). [32] Still others called upon the orchestra itself to function as the primary virtuosic force within the concerto form.
His mother, Elsa Johanna Bierlich von Grofé, was a professional cellist and a versatile music teacher who taught Ferde to play both the violin and the piano. Elsa's father, Bernard Bierlich, was a cellist in the Metropolitan Opera Orchestra in New York, and her brother, Julius Bierlich, was the first violinist and concertmaster of the Los ...
Echoes of Harlem", also known as "Cootie's Concerto", [1] is a 1936 composition by Duke Ellington. A piece with a jazz blues sound in F minor with an ostinato piano pattern, it has been cited as one of Ellington's "mood" pieces. It opens with trumpet, playing blues sounds in F minor over the ostinato pattern, followed by a segment of 14 bars ...