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The Banshee (1925) is a piano composition by American composer Henry Cowell (1897–1965). It was the first piano piece ever written to be performed entirely free of the keyboard, using only manual manipulation of the strings within the instrument to produce sound via the flesh and nails of the finger .
The original manuscript to Dynamic Motion (1916), showing the young Cowell's early methods for notating large piano clusters. While receiving no formal musical education (and little schooling of any kind beyond his mother's home tutelage), he began to compose short classical pieces in his mid-teens.
Steven John Bailey (born 25 September 1955) known professionally as Steven Severin, is an English songwriter, composer, multi-instrumentalist and producer.He is best known as the bassist of the rock band Siouxsie and the Banshees which he co-founded in 1976. [2]
Piece for Piano with Strings (1923; for solo string piano, despite possibly confusing title) Aeolian Harp for string piano (ca. 1923) A Rudhyar (1924) The Harp of Life (1924) The Snows of Fuji-Yama (1924) The Banshee for string piano (1925) Slow Jig (1925) The Leprechaun (1928) Two Woofs (1928) Euphoria (1929) Fairy Answer (1929) Two Pieces (1930)
His first studio recording with the band was a session for John Peel on BBC radio in November 1977. McKay composed the tune of their first hit single, 1978's "Hong Kong Garden", as well as much of the material found on the band's first two albums, 1978's The Scream and 1979's Join Hands. He is a self-taught musician.
Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.
Earl Kenneth Hines, also known as Earl "Fatha" [nb 1] Hines (December 28, 1903 [nb 2] – April 22, 1983), was an American jazz pianist and bandleader.He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz".
The first unambiguous evidence for the piano comes from the 1700 inventory of the Medici mentioned in the preceding section. The entry in this inventory for Cristofori's piano begins as follows: Un Arpicembalo di Bartolomeo Cristofori di nuova inventione, che fa' il piano, e il forte , a due registri principali unisoni, con fondo di cipresso ...