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The cinema of France comprises the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe, with primary influence also on the creation of national cinemas in Asia.
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The French Connection (1971) dir. William Friedkin; 1895–1918: The World Discovers a New Art Form or Birth of the Cinema. Traffic Crossing Leeds Bridge (1888) dir. Louis Le Prince; The Kiss (1896 film) (a.k.a. May Irwin Kiss) (1896) dir. William Heise; Workers Leaving the Lumière Factory (1895) dir. Louis Lumière
The Bibliothèque du film, which was created in 1992 to show the history of cinema, its production, impact and artistic strength, merged with the Cinémathèque française. Cinémathèque française operates the Musée de la cinémathèque , formerly known as Musée du cinéma Henri-Langlois, in the new building.
Histoire(s) du cinéma (French: [is.twaŹ dy si.ne.ma]) is an eight-part video project begun by Jean-Luc Godard in the late 1980s and completed in 1998. [1] The longest, at 266 minutes, and one of the most complex of Godard's films, Histoire(s) du cinéma is an examination of the history of the concept of cinema and how it relates to the 20th century; in this sense, it can also be considered a ...
C. The Call of Silence; The Captain's Daughter (2000 film) Carmen (1926 film) Casque d'Or; The Centurion (film) The Charterhouse of Parma (film) The Chess Player (1938 film)
French alternate history films (6 P) French historical action films (3 P) French historical adventure films (2 C, 99 P) C. French historical comedy films (1 C, 48 P) D.
The beginnings of post-classical storytelling may be seen in 1940s and 1950s film noir films, in films such as Rebel Without a Cause (1955), and in Hitchcock's Psycho. 1971 marked the release of controversial films like Straw Dogs, A Clockwork Orange, The French Connection and Dirty Harry. This sparked heated controversy over the perceived ...