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William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
The Dire Straits songs makes use of certain aspects of Shakespeare's play, as well as elements of some of the play's stage and screen adaptations. It also purposely diverges from the play's plot and characterizations in certain respects (such as Juliet's reaction to being approached by Romeo). [179] "Rusty James" ¡Uno! Green Day: Rumble Fish ...
"Song for Athene", which has a performance time of about seven minutes, is an elegy consisting of the Hebrew word alleluia ("let us praise the Lord") sung monophonically six times as an introduction to texts excerpted and modified from the funeral service of the Eastern Orthodox Church and from Shakespeare's Hamlet (probably 1599–1601). [4]
When you need an extra boost of inspiration, these motivational quotes will inspire you to keep going. Skip to main content. 24/7 Help. For premium support please call: 800-290-4726 more ways ...
Bible quotes about love “Everything should be done in love.” — 1 Corinthians 16:14 “Above all, keep loving one another earnestly, since love covers a multitude of sins.” — 1 Peter 4:8
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
The steampunk band Abney Park recorded a song called "Dear Ophelia" that is sung from the point of Hamlet, writing letters to Ophelia expressing that he does, in fact, love her. [47] The Band recorded a song titled "Ophelia" for the album Northern Lights – Southern Cross, in which some have interpreted Ophelia as a metaphor for race-mixing. [48]
The idea of a Hamlet overture had first occurred to Tchaikovsky in 1876, as outlined in his plans in a letter to his brother Modest. At that time, he conceived it in three parts: 1. Elsinore and Hamlet, up to the appearance of his father's ghost 2. Polonius (scherzando) and Ophelia (adagio), and 3. Hamlet after the appearance of the ghost.