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Memoirs of a Geisha is a historical fiction novel by American author Arthur Golden, published in 1997.The novel, told in first person perspective, tells the story of Nitta Sayuri and the many trials she faces on the path to becoming and working as a geisha in Kyoto, Japan, before, during and after World War II.
Gion houses two hanamachi, or geisha districts: Gion Kobu (祇園甲部) and Gion Higashi (祇園東).The two were originally the same district, but split many years ago. Gion Kobu is larger, occupying most of the district including the famous street Hanamikoji, while Gion Higashi is smaller and occupies the northeast corner, centered on its rehearsal h
Memoirs of a Geisha is a 2005 American epic period drama film directed by Rob Marshall and adapted by Robin Swicord from the 1997 novel of the same name by Arthur Golden. [2] [3] It tells the story of a young Japanese girl, Chiyo Sakamoto, who is sold by her impoverished family to a geisha house to support them by training as and eventually becoming a geisha under the pseudonym "Sayuri Nitta."
The Gion Festival (祇園祭, Gion Matsuri) is one of the largest and most famous festivals in Japan, taking place annually during the month of July in Kyoto. [1] Many events take place in central Kyoto and at the Yasaka Shrine, the festival's patron shrine, located in Kyoto's famous Gion district, which gives the festival its name. [1]
Miyagawa-chō (宮川町) is one of the hanamachi (花街, "flower towns") or geisha districts in Kyoto. [1] [2] 'Miya-gawa' means "Shrine River", referring to the nickname of the Kamo River just south of Shijō. During the Gion Festival the mikoshi (divine palanquin) of Yasaka Shrine used to be purified in the waters of this river.
Sisters of the Gion (1936) by Kenji Mizoguchi. Sisters of the Gion (Japanese: 祇園の姉妹, Hepburn: Gion no kyōdai) or Sisters of Gion is a 1936 black and white Japanese drama film directed by Kenji Mizoguchi about two geisha sisters living in Kyoto's Gion district. [6]
A Geisha received the 1954 Blue Ribbon Award for Best Supporting Actor (Eitarō Shindō) and for Best Supporting Actress (Chieko Naniwa). [3]The film is regarded as one of Mizoguchi's major works by critics and historians, described as "elegantly made […] and poignant in the extreme" (Geoff Andrew, Time Out), [4] "incredibly beautiful" and "compassionate but completely unsentimental ...
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