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Plato's allegory of the cave by Jan Saenredam, according to Cornelis van Haarlem, 1604, Albertina, Vienna. Plato's allegory of the cave is an allegory presented by the Greek philosopher Plato in his work Republic (514a–520a, Book VII) to compare "the effect of education (παιδεία) and the lack of it on our nature".
Plato refers to these debates and made allegories and the nature of allegory a prominent theme in his dialogues. [9] He uses many allegorical devices and explicitly calls attention to them. In the Parable of the Cave, for example, Plato tells a symbolic tale and interprets its elements one by one (Rep., 514a1 ff.).
Companions of the Cave), [3] is a late antique Christian legend, and a Qur’anic Islamic story. The Christian legend speaks about a group of youths who hid inside a cave [ 4 ] outside the city of Ephesus (modern-day Selçuk , Turkey ) around AD 250 to escape Roman persecutions of Christians and emerged many years later.
A parable is a succinct, didactic story, in prose or verse, that illustrates one or more instructive lessons or principles. It differs from a fable in that fables employ animals , plants , inanimate objects, or forces of nature as characters, whereas parables have human characters. [ 1 ]
Maxine Clarke Beach comments Paul's assertion in Galatians 4:21–31 that the Genesis story of Abraham's sons is an allegory, writing that "This allegorical interpretation has been one of the biblical texts used in the long history of Christian anti-Semitism, which its author could not have imagined or intended".
Sometimes the meaning of an allegory can be lost, even if art historians suspect that the artwork is an allegory of some kind. [21] Allegory has an ability to freeze the temporality of a story, while infusing it with a spiritual context. Medieval thinking accepted allegory as having a reality underlying any rhetorical or fictional uses. The ...
Anthropomorphic cat guarding geese, Egypt, c. 1120 BCE. Fable is a literary genre defined as a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim or ...
The scene of the fable depends on the version followed. The traveller is invited into the satyr's home, which is often shown as a cave – and is specified as such in La Fontaine's version. In early illustrations the guest may be shown, illogically, as being entertained outside the dwelling, rather than sheltering within it.