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Mongol zurag (Mongolian: Mонгол зураг, Mongol painting) is a style of painting in Mongolian art. Developed in the early 20th century, zurag is characterised by the depiction of secular, nationalist themes in a traditional mineral-paint–on–cotton medium similar to Tibetan thangka .
Mongolian folk art includes a wide range of crafts and decorative arts, such as woodcarving, metalworking, embroidery, and weaving. These crafts are often passed down from generation to generation and are an important part of the country's cultural heritage. Mongolian handicrafts and folk art are often sold as souvenirs to tourists and are an ...
Works of sculpture have been crafted in Mongolia since prehistoric times. Bronze Age megaliths known as deer stones depicted deer in an ornamented setting. Statues of warriors, the Kurgan stelae, were created under Turkic rule from the 6th century CE, and later started to bear inscriptions in a phonetic script, the Orkhon script, which were deciphered only in the 1980s.
Mongolian artist and art historian N. Chultem identified three styles of traditional Mongolian architecture (Mongolian, Tibetan and Chinese), alone or in combination. Batu-Tsagaan (1654), designed by Zanabazar, was an early quadratic temple. The Dashchoilin Khiid monastery in Ulaanbaatar is an example of yurt-style architecture.
Mongolian calligraphy is a form of calligraphy or artistic writing of the Mongolian language. [ 1 ] Although Mongolia uses the Cyrillic script which was adopted during the Communist era, Mongolian calligraphy is written in the traditional Mongolian script .
Zaya was born Zayasaikhan Sambuu in 1975 in Mongolia, in an isolated village in the Gobi Desert. [1] At fifteen he decided to become a Buddhist monk but the strict rules of the monastery were at odds with his irrepressible creativity. [1] By the time he was a teenager, communist Mongolia was becoming less oppressive, and freedom of religion ...
A right-handed Mongolian draw. The Mongolian draw, or thumb draw, uses only the thumb, the strongest single digit, to grasp the string. Around the back of the thumb, the index and/or middle fingers reinforce the grip. This is traditional across the Asian steppes, as well as in Korea, [6] Japan, Tibet, China, Turkey, India and recent Persia. [7]
Balduugiin "Marzan" Sharav (1869 – 1939, Mongolian: Балдугийн 'Марзан' Шарав; marzan = facetious), was a Mongolian painter.. He is often credited with the introduction of modern painting styles to Mongolia, but his most famous work, One day in Mongolia (Mongolian: Mongolyn neg ödör), is done in a more traditional zurag style.