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Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
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Theodore Robinson (June 3, 1852 – April 2, 1896) was an American painter best known for his Impressionist landscapes. He was one of the first American artists to take up Impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism.
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Painting on site, Monet had to deal with the incoming and outgoing trains and crowds of passengers. When he sketched and started painting, his view must have been blocked by steam and smoke. In 1889, critic Hugues Le Roux recalled Monet's working process in the Gare Saint-Lazare: Claude Monet, La Gare Saint-Lazare, le train de Normandie, 1877 ...
The painting depicts a snowy winter scene on the Boulevard des Capucines facing the Place de l'Opera. Along the left side of the painting, receding into the background, are the multistory buildings that were redone as a part of Haussmann's reconstruction of Paris, including the distinguished Grand Hôtel. [1]
The Cliff Walk at Pourville is an 1882 painting by the French Impressionist painter Claude Monet. It currently resides at the Art Institute of Chicago. It is a landscape painting featuring two girls atop a cliff above the sea. The canvas was inspired by an extended stay at Pourville in 1882.
It is in the permanent collection of the Art Institute of Chicago. [1] The Impressionist painting depicts a steam train from Normandy arriving at the Gare Saint-Lazare railway station in Paris, with crowds of people waiting amid the steam and smoke under the vaulted iron and glass vault of the station's train shed.