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The Bob Crewe Generation Cidny Bullens: 56 - - 1979 "Fancy Dancer" Frankie Valli L. Russell Brown: 77 - - 1983 "Heaven Above Me" Roberta Flack and Peabo Bryson: Bob Gaudio - - 84 "You're Looking Like Love to Me" Roberta Flack and Peabo Bryson Bob Gaudio, Jerry Corbetta: 58 41 -
Crewe first heard the song performed in a jingle demo for a Diet Pepsi commercial, and according to Greg Adams, writing for All Music Guide, the song "exemplified the groovy state of instrumental music at that time." [1] In Bob Crewe's version, a trumpet plays the whole verse, the first time around, sounding like Herb Alpert's
Bob Crewe himself (recording as The Bob Crewe Generation) released a version of Sid Ramin's 1967 instrumental "Music to Watch Girls By" (originally composed as a Diet Pepsi commercial jingle) on DynoVoice. [3] The song became a Top 20 hit. [3] and spawned another successful instrumental version by Al Hirt and a vocal hit by Andy Williams.
The 1967 album Music to Watch Girls By by the Bob Crewe Generation features instrumental versions of several Bob Crewe produced hits, including "Concrete and Clay". On 28 October 2011, a new version of "Concrete And Clay" by original singer and co-writer Tommy Moeller was released on the Chance Music record label based in Sydney Australia, 47 ...
The enduring power and appeal of great mid-20th century American pop music, shows no signs of abating, which is a kinder way of saying that boomer music is outliving the boomer generation. Just as ...
Pages in category "Songs written by Bob Crewe" The following 28 pages are in this category, out of 28 total. This list may not reflect recent changes. B.
The label existed until 1969 when it was merged into the Crewe Group of Companies (CGC) label. Some of the label's best-known releases include The Bob Crewe Generation's hit "Music to Watch Girls By", the soundtrack album for Dino de Laurentiis's camp sci-fi film Barbarella, and material by Mitch Ryder and the Detroit Wheels.
"Silhouettes" is a song made famous by the doo-wop group the Rays in 1957, peaking at number 3 on the U.S Billboard Hot 100. A competing version by the Diamonds was also successful. In 1965 it was a number 5 hit in the US for Herman's Hermits , and in 1990 it was a number 10 hit in the UK for Cliff Richard .