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The hymn was sung to the melody Sarum, by the Victorian composer Joseph Barnby, until the publication of the English Hymnal in 1906. This hymnal used a new setting by Ralph Vaughan Williams which he called Sine Nomine (literally, "without name") in reference to its use on the Feast of All Saints, 1 November (or the first Sunday in November, All Saints Sunday among some Lutheran church bodies ...
It is sung to the German tune Lasst uns erfreuen (1623). [1] [2] Its uplifting melody and repeated "Alleluias" make this a favourite Anglo-Catholic hymn during the Easter season, the Feast of All Saints, and other times of great rejoicing.
The hymn is little-known in Britain, not featuring in the Anglican New English Hymnal, but has become very popular in the United States – particularly in the Episcopal Church, where it has been incorporated into the Episcopal Hymnal 1940. The hymn is especially recommended for corporate worship on All Saints Day.
The hymn was published with the current music (the "Winter Quarters" tune) for the first time in the 1889 edition of the Latter-day Saints' Psalmody. The hymn was renamed "Come, Come, Ye Saints" and is hymn number 30 in the current LDS Church hymnal. A men's arrangement of the hymn is number 326 of the same hymnal. [3]
All Glory, Laud and Honour; All of seeing, all of hearing; Alleluia! Alleluia! Praise the Lord; Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave ...
On 29 May 2018, All Saints announced the release of their fifth studio album – and second after their reunion – titled Testament.Group member Shaznay Lewis commented that "this album feels exactly where we should be - and want to be - right now creatively", and that a highlight was reuniting with "the king of beautiful interesting sounds, William Orbit, which was just amazing". [1]
"Never Ever" is a song by English girl group All Saints. Written by All Saints member Shaznay Lewis along with co-writers Robert Jazayeri and Sean Mather and produced by Cameron McVey and Magnus Fiennes, it was released on 10 November 1997 as the second single from their debut album, All Saints (1997).
Pete Tong, All Saints' A&R at the time, wanted the group to be a part of the soundtrack he was producing for Danny Boyle's film The Beach. [5] [6] Boyle, however, disliked the idea of having a pop group associated with his film. Tong then contacted Orbit and convinced Boyle to include All Saints on the basis that Orbit would produce the song. [5]