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A soliloquy (/ s ə ˈ l ɪ l. ə. k w i, s oʊ ˈ l ɪ l. oʊ-/, from Latin solo "to oneself" + loquor "I talk", [1] [a] plural soliloquies) is a monologue addressed to oneself, thoughts spoken out loud without addressing another person. [2] [3] Soliloquies are used as a device in drama. In a soliloquy, a character typically is alone on a ...
Read the full text of the speech as he delivered it that day: I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Another early example is the use of interior monologue by T. S. Eliot in his poem "The Love Song of J. Alfred Prufrock" (1915), "a dramatic monologue of an urban man, stricken with feelings of isolation and an incapability for decisive action," [29] a work probably influenced by the narrative poetry of Robert Browning, including "Soliloquy of ...
Actor Christopher Walken performing a monologue in the 1984 stage play Hurlyburly. In theatre, a monologue (from Greek: μονόλογος, from μόνος mónos, "alone, solitary" and λόγος lógos, "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience.
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
Every major edition of Hamlet and/or its primary editor, from the Norton Shakespeare, to the Riverside, to (the) Bevington, notes at some point that this speech is a soliloquy. I should note that I am a University Shakespeare Professor, and the idea that Hamlet's speech is not a soliloquy is not an idea that is seriously considered among ...